oozing danger, igniting sparks
oozing danger, igniting sparks

23-year-old. Plains Cree First Nations & Red River Métis. Two-Spirited. Lives in Canada's prairies. Full time university student majoring in Indigenous studies & Women & Gender Studies. Probably owns more books than you, but you can borrow some.

Mostly reblogs of pretty pictures and my angry brown feminist opinions. My photos can be seen under mine Personal stuff will mostly be elsewhere, but there's some stuff here. not a quality blog and i'm p boring tbh.

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This Tumblr may contain: Indigenous /NDN things, feminisms, Harry Potter, activism, 2 spirit stuff, fairy things, fantasy costuming, fashion, books, tea, cute stuff, vegan food, poetic terrorism, Nintendo geekiness, magpies, lolcats & stuff I find funny, whales, hedgehogs, nature porn and the occasional smattering of pagan-esque things and various other "shit I like". Well isn't this absolutely FANTASTIC!?

 Passioneer

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(Source: woodlandhoney, via moniquill)

423 notes
Tagged as: fashion,


staringatsuns:

batlesbo:

allforpotterandmore:

zacharyalllen:

NEW HUFFLEPUFF COMMON ROOM ART ON POTTERMORE.

THIS IS MY HOME

WELCOME!

BEST HOUSE

staringatsuns:

batlesbo:

allforpotterandmore:

zacharyalllen:

NEW HUFFLEPUFF COMMON ROOM ART ON POTTERMORE.

THIS IS MY HOME

WELCOME!

BEST HOUSE

(via rainsweet)



motherearthnewsmag:

How to Dry Herbs for Optimal Quality
If you grow your own herbs, you’ll want to learn how to dry them to preserve their freshness and enjoy them through the winter months. If you follow the techniques described here, your dry herbs will last for months to come.
By Tammi Hartung 

motherearthnewsmag:

How to Dry Herbs for Optimal Quality

If you grow your own herbs, you’ll want to learn how to dry them to preserve their freshness and enjoy them through the winter months. If you follow the techniques described here, your dry herbs will last for months to come.

By Tammi Hartung 

(via moniquill)

195 notes
Tagged as: herbs, diy, gardening,


(via maryhassound)



(Source: victoriavonzipper, via katsolo)

14,584 notes
Tagged as: wow,



nitanahkohe:

powerful new work by Corey Bulpitt & Larissa Healey at the National Gallery of Canada

391 notes
Tagged as: art, indigneous, wow,

went for a walk to the farmer’s market, met B for lunch and got a bucket of fries.

all is now well. with fries, i can get through ANYTHING YEAH.


Tagged as: personal,


i don’t have a lot of pet peeves but the one that i do have makes up for numerous ones. i don’t even mind the sound of nails on a chalkboard.

BUT my boss is sucking on a candy and it is one of the worst things to ever happen to me.

omg. oh.my.god.

i am loosing my mind.

like are you purposely pushing it against your teeth and making those slapping noises so i can hear them? I CAN HEAR IT ALL THE WAY OVER HERE. there are two offices separating us.

i am going to die.

i am going to DIE. FFFFFUUUUUUUUUUUUUCK. i am so irrationally angry i don’t know what to do.


Tagged as: personal,




digitallyimpaired:

this took like 20 years

full zise

(via fairytalemood)

10,727 notes
Tagged as: art, omg,


“In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.

And that’s why the role has been taken away from actors of colour and given to a white man. Racebending.com has always pointed out that villains are generally played by people with darker skin, and that’s true … unless the villain is one with intelligence, depth, complexity. One who garners sympathy from the audience, or if not sympathy, then — as from Kirk — grudging admiration. What this new Trek movie tells us, what JJ Abrams is telling us, is that no brown-skinned man can accomplish all that. That only by having Khan played by a white actor can the audience engage with and feel for him, believe that he’s smart and capable and a match for our Enterprise crew.”

Marissa Sammy on Star Trek: Into Whiteness.

perfect commentary which parallels what Rawles was saying earlier about the possibility of Moriarty being a person of color

  • “…The actual issue is that black people aren’t often allowed to play full and complete characters, and an antagonist who isn’t unintelligent, thuggish cannon fodder is just as much of a rarity for black men as the stubbly hero who saves the world or wtfever. “
  • “…The stereotype in no way intersects with brilliant geniuses who choose to step outside of the boundaries of society in order to exercise their intellect while having no concern for lesser beings.

    Or to break it down further: the problematic stereotype regarding black people is that of being, in essence, subhuman. Characters of the Moriarty (and Holmes) archetype are rooted in being superhuman.”

You see? It’s more complicated than “people of color get typecast as villains.”

Black people get typecast as an extremely specific type of villain - they’re thugs, brutish and animalistic. South Asian actors are similarly typecast as scary oppressive (usually coded Muslim) terrorists.

But when your villain is of the superhuman archetype? When they’re brooding antiheroes, when they’re nuanced, when they’re multi-faceted?

They’re white.

(And check out this post on the glorification of white criminality in shows like Dexter, Breaking Bad, Weeds, Boardwalk Empire, The Sopranos, etc.)

(via vernicqs)


apihtawikosisan:

Exactly.

apihtawikosisan:

Exactly.

(Source: sikssaapo-p)

664 notes
Tagged as: ndn, indigenous, lol,



a fabric tent in the woods via x.

a fabric tent in the woods via x.

(Source: birchandwillow, via woodlandhoney)




(Source: souzyandherbooks, via bookishfellows)

3,830 notes
Tagged as: bookish,


gender-and-science:

Just as a heads up, the deadline is May 31st!

(Source: ifollowthebookofyeezus, via uglyzine)


moderndayndnprincess:

Fringe
Rebecca Belmore (Anishnaabe)
Rebecca Belmore often uses the body to address violence against First Nations people, especially women. The woman in Fringe assumes the same reclining pose as the beautiful odalisques depicted by nineteenth- and twentieth-century European artists, but bears an ugly slash from shoulder to hip. The thin rivulets of blood that run from the gash are composed of small red beads, a detail that evokes both Belmore’s Anishinabe heritage and the trauma inflicted on indigenous peoples. Despite the graveness of the woman’s injury, Belmore’s Fringe is also about healing. The wound is not fatal; she has the strength to recover. But the scar will never disappear.

moderndayndnprincess:

Fringe

Rebecca Belmore (Anishnaabe)

Rebecca Belmore often uses the body to address violence against First Nations people, especially women. The woman in Fringe assumes the same reclining pose as the beautiful odalisques depicted by nineteenth- and twentieth-century European artists, but bears an ugly slash from shoulder to hip. The thin rivulets of blood that run from the gash are composed of small red beads, a detail that evokes both Belmore’s Anishinabe heritage and the trauma inflicted on indigenous peoples. Despite the graveness of the woman’s injury, Belmore’s Fringe is also about healing. The wound is not fatal; she has the strength to recover. But the scar will never disappear.

(via 0wlfeather)





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